Why You Should be a Knitting Needle Snob

It’s all just sticks and string, so why hunt down the ‘best’ needles? Why not just use what’s most readily available? Or those vintage needles you came across? People have been knitting for hundreds of years on all sorts of things. Some of my favorite traditional knits are the Andean chullos traditionally knit on hook ended needles made of baling wire. And I’ve personally knit on toothpicks, paperclips, large dowels, and even porcupine spines! If any old stick will work, why pay more for those needles? It’s the yarn that goes into the finished piece, so isn’t the yarn the only thing you should be splurging on?

NOPE. Your needles and pattern are just as important and very much worth spending a few extra bucks to have quality because it will very much show in your finished object, even if those needles aren’t going to be a permanent part of the project, they’re just as important as the yarn. Good needles can make a bad knitter’s work look better and a great knitter’s work look horrible, just by being good or bad needles!

I’m currently working on designing a new hat using a stitch I’ve created. It’s a lovely hat and I’m sure you’ll all want to knit it when it’s released. The first hat was knit from a ball of variegated bulky weight yarn, a long on color yarn that when used with such a stitch count creates beautiful stripes. I do love the stripes, but it makes it a bit harder to appreciate the detail of the new decrease and how well it works in ribbing. As such, I purchased a new ball of yarn, the same exact brand, but in a solid color.

The first multicolor hat was knit on a set of double pointed needles and I had a bit of trouble with stitches popping right off the ends of the needles until I hit the crown decreases. It was just too many stitches for the needles. When I was out in the snow picking up the solid colored ball of yarn, I also grabbed a set of 16″ circulars in the same size. Of course I had to get a different brand as no big box shop carries the brand double point I’d been using.

The second I got home, I cast on for the new solid color hat. I’d like it done and photographed as soon as possible so I can share the pattern with you all. When I got into the knitting a ways, I stopped. Something didn’t look right at all. I compared the in-progress hat to my completed one. YEP. Something’s horribly wrong. The stitches are all correct and the new color has much better stitch definition than the multicolored yarn,  but the new needles ruined it! I was over halfway through the body of the hat section too, so it’s a bit sad to rip out. That’s probably an hour and a half of work.

Here’s a close up of the first hat’s stitches. This bit is plain k1p1 ribbing.

It’s beautiful, right? The stitches are even, uniform and straight. Now, here’s the same exact pattern and size hat knit in the same brand of 100% acrylic yarn one day later by the same knitter on different needles. Neither piece has been blocked.

Can you see the differences? The blue one looks horrible. The stitches are crooked with the left leg dominant. It’s wider and sticks up from the fabric more than the right one. Some stitches are more squat, some are taller, and some are just plain wonky.

The needle change also affected gauge in addition to the shape of individual stitches. The multicolor hat has 9 ribs in 4 inches where as the blue one has 8 ribs in 4 inches.

Changing needle brands means redoing your gauge swatch. Changing brands of knitting needles, particularly if that includes a change of knitting needle material, requires redoing your swatch. While only one rib, two stitches, in four inches doesn’t seem like much, in bulky yarn over enough stitches for an adult sized hat, that equates to adding about two and a half inches to the circumference of the hat. That’s huge!

I know the ruler here only shows one and a quarter inches difference, but you’ve got to multiply that by two since there’s two layers under that ruler. Even if it were only an inch off though, that’d surely be enough for a strong wind to carry your hat away while out walking the dog on a brisk winter day.

What are the things that matter about a pair of needles? Generally the tips and the material. How sharp are the needles? How smooth are they? Do the cables have good flex yet aren’t too soft if they’re circulars? Here’s the needles I used for these hats.

The taper on the tip is nearly identical between these needles which is why I was willing to give the cheap and most importantly immediately available ones a chance. The metal ones have a slightly sharper tip, but almost imperceptibly so. The big failure here is that the bamboo needles are a little sticky. Not sticky like they were covered in toddler hand goo, but more in that the yarn doesn’t slide freely down the needle. You’ve got to stop and readjust the knitting to move more stitches to the top. The stitches don’t slide over the join from the cable and back up over the needle well either.

So, what are these needles of win and doom that are making and breaking such a hat? Surely one cost four or five times what the other did, right? Not at all actually. At regular prices one is $8.99USD and the other is $11.50USD with the $11.50 ones being the better ones. Of course given that the cheap ones are from a big box shop though, you could use a 40% off coupon on them which is exactly what I did as it was the only thing I was buying at that shop. That drops them down to $5.40 which means the better needles still are less than twice the cost of the bad ones! Here they are, the hat-ruining Clover bamboo needles and the wonderful but harder-to-come-by HiyaHiya Sharps made of stainless steel.

So what are your favorite brands? What needles will you avoid at all costs? Do you have any problems with allergies to knitting needle materials? I adore the Addi needles, but I have trouble with the nickel in them. I’ve tried their brass line as well, but the smell drives me bonkers!

Lastly, keep in mind that yarn can vary in thickness even within the same brand and weight, so when changing between colors, you might want to redo your gauge swatch too, even if you’re using the same needles. Multicolor acrylics are notoriously thinner than their solid counterparts. If anyone knows why this is, I’d love to know!

Duplicate Stitch Tricks and More Free Charts

I’ve been a but quiet for a while due to increased pain levels and being busy as a bee designing new hexipuff charts for the Beekeeper’s Quilt!

The new charts are primarily a series of buildings and more flags. The reason I’m making so many flag designs is that I’m trying to collect mini skeins from as many countries as I can and knit them into puffs for my quilt! I will be knitting each flag as I receive yarn from that country. If you’d like to send one in from your country, shoot me a message on Ravelry! I’m Swamps42 over there. So far I’m set for yarn from the United States and Canada only! I am expecting yarn from Cuba and the UK any day now though!

Of the new charts, which are all posted for free via the hexipuff chart tab at the top of this page, the castle is the one that tempted me most to get out a needle and do some duplicate stitching. Duplicate stitched puffs take much longer than a plain puff, for me about an hour and a half longer. I do think it’s worth it though, don’t you?

The chart

The resulting puff

Whenever I post picture of my duplicate stitched puffs on Ravelry, my inbox is filled with PMs from people asking how I get my duplicate stitched puffs to look just right. Common problems with duplicate stitching include the background color showing through, the puff looking bunched up, the duplicate stitching unraveling over time, and the design not being centered on the finished puff. I’m pretty good about responding with my tricks, but doesn’t it seem better to have a photo tutorial to send folks to with all the tricks I’ve learned over time through my own successes and failures?

The Duplicate Stitch Tutorial of Win

***I’m assuming you know the basics of how to duplicate stitch by following the Vs of existing stitches. If you have no idea what duplicate stitching is or how to do it, please visit a beginners tutorial and then come back here for all the tricks that take your basic duplicate stitching and make it look professional!

Of course, first you need to pick a chart and knit your puff with the appropriate background color(s). Here I’ve chosen the castle chart. The background in this chart is two different colors. I cast on with green yarn and switched to blue just before starting the increase row to move up to 16 stitches. I then finished out the hexipuff as per my usual modifications. I use Judy’s magic cast on and eliminate the last knit even at 10 stitches row as the three needle bind off counts as this row if you want a puff that isn’t top heavy. Don’t bind off the puff yet. Just stop knitting after the decrease down to 10 stitches row. Split the stitches on the front of your puff onto two needles and leave all the back stitches on one needle. This will make it easier to get in and out of the puff to weave in ends.

Next, thread your needle with your first color working form the top of the puff down. I’m doing grey. Turn the puff inside out and weave in your ends. The appropriate way to weave in ends requires you to split the ply (or fibers in a single ply) of the existing stitches, purls on the inside of a puff. I usually go one direction horizontally, back, and then up or down one or two stitches just to be sure my yarn is really solid and will hold up to repeated washings. If you’re using something really slippery, like a silk, you may want to run it through a few more times just to be sure. By splitting the ply, you not only assure yourself that your tail won’t be visible from the outside of the puff, but it also provides a more secure grab on your yarn tail.

Now, turn your puff right side out and decide on which stitch to begin with. I find the best results come from duplicate stitching a design from the top down. You will get more complete coverage with your top yarn, but we’ll get there. For now, pick your first stitch at the top of the design. If you are knitting your puffs with the same modifications that I am, your loops on the needles are the bottom row of 10 stitches in the chart. So the third stitch down from the needles on the first stitch on the right hand side of the right hand needle is the furthest top right stitch of the castle!

One of the most important tricks I’ve learned in duplicate stitching is the importance of NOT making twisted stitches. This means that to get a smooth stockinette finish on your duplicate stitching, you need to take directions into account. If you’re moving to a stitch left of the current stitch, you need to go through the current stitch from the right to the left, moving toward the next leftward stitch. Alternatively, if you’re working right to left on a row, you need to move right to left when you insert the needle under the V of the stitch above. Here you can see me working from left to right and so I’m inserting the needle left to right. Remember to work your duplicate stitching somewhat loosely! You want it to be soft and stretchable just like the original knitting!

The other big trick you’ll notice here is that since I’m on the second duplicate stitch of the row, I can pick up only the grey V of the stitch above and not the underlying original blue stitch. This helps prevent any blue yarn from showing through the crook of the V in the duplicate stitch!

It can also be very helpful to grab a bit of fiber or even a full ply of yarn from the neighboring stitch as you’re continuing along a row. This helps prevent your background from showing through in vertical stripes, an otherwise common problem. Here I’m working from right to left and have grabbed a bit of the grey yarn from the previous stitch to the right to help the current stitch and the one to the right stay snugged up against one another.

Continue working top down and side to side in this manner until your first color of duplicate stitching is complete.

Carefully turn your puff inside out again and weave in the tail of your duplicate stitching yarn just as you did when you were starting out. Now, you have loops of both your background yarn and your working yarn, grey. You can split the ply and weave your tail into any of these. If you weave into grey purls, your tail will not show up between stitches on the front of the puff. Of course a mixture or even all background yarn is fine too, just so long as your tail is securely woven in through the ply or fibers of the existing yarn.

Cut the excess grey yarn, thread your needle with black yarn, and weave in the end just like you did to begin working with the grey yarn at the beginning. Turn the puff right side out, and insert your needle through the first stitch. Remember to work from the top of the puff down. It is also important when filling areas like windows here to catch a bit of the wall yarn on either side of the window to make sure the stitches stay snugged up against one another and no blue yarn shows through. Here I’ve grabbed a bit of the right side’s grey wall fiber, the two V legs of the black duplicate stitch above, and a bit of the left side’s grey wall fiber. This stitch is sure to stay snugged into place and banish the blue to the background where it belongs!

Again work from the top down filling all the black stitches. If you need to strand across an area on the back, try to catch a bit of the black yarn underneath the purls of grey duplicate stitches on the back to help secure it. Remember to keep a loose tension as you’re duplicate stitching. If you don’t allow your duplicate stitching yarn to be fluffy, you won’t get good coverage. This is why embroidery floss is not good for covering large areas in duplicate stitch. My preferred fiber for duplicate stitching is the same fingering weight yarn I’ve used to knit the puff. I used all Knit Picks Palette colors to do the castle.

When you’re done with your final color of duplicate stitching, weave in it’s end on the inside as before and turn the puff right side out. I like to stretch my puff in each direction at this point to help the stitches settle into place and make sure there aren’t any gaps or mistakes. The reason a bit of background yarn shows through at the bottom of the door is because there is no stitch below it. Your bottom stitches will look like this unless you also duplicate the purl inside the V. Personally, I don’t think it’s worth it. You can barely see the background with the zoom and flash on a camera. In person you’d really, really have to be looking.

Stuff your puff and bind off. Weave in your final tails and enjoy your perfect picture puff!

Remember guys, if you knit a puff with my charts I’d love to see it and feature your hexipuff on my blog! Drop me a line in the comments here or to swamps42 on Ravelry!

Tags: beekeeper, beekeepers, craft, crafting, design, detail, duplicate, flag, free, handmade, hexi, hexipuff, knit, knitted, knitting, pattern, picture, project, projects, puff, puffs, quilt, quilts, set, stitch, stitching, technique, tiny owl knits, tinyowlknits, tips, TOK, tricks, tutorial, yarn